SORRY FOR YOUR LOSS Notable Review Excerpts:
STARRED: "A heartfelt and expertly written tale of loss, family, and friendship that will have readers blinking back their tears...Beautiful and sincere."
“This contemplative novel sensitively depicts a straightforward and compassionate view of death and grieving and explains the Jewish customs for burial preparation. Character development is the strength of the novel, especially in emotionally charged moments. This highly discussable novel navigates complex feelings gracefully. VERDICT: Despite the heavy topics this unique novel addresses, it features humor and warmth and characters young readers will care about.” – SLJ
“While deeply poignant and heartbreaking, there are also moments of lightness that offer much-needed levity against a more serious foundation. In all, Sorry for Your Loss is an enlightening, delicately hopeful, and beautifully rendered story.” — Quill & Quire
“This important topic is sensitively handled, turning an already excellent coming-of-age tale into an important addition to the middle grade bookshelf.” — Jewish Book Council
“Anyone who has felt the loss of a loved one, who knows what it’s like to feel alone in your grief, or who has wanted to help someone else without knowing how can find comfort in this story. Written for middle-grade readers, this book is a reminder that while pain may not go away, it will get easier with time.” —Canadian Children’s Book Centre
“Grief and mourning are difficult topics for anyone at any age, and Levy’s book treats her subject matter and her readers gently and with understanding. … While the themes might be painful, the book is anything but sad, and it will give its readers some insight into grief as well some tools and suggestions for dealing with it in a proactive and positive way. Highly Recommended.” — CM – Canadian Review of Materials
“Though this may be a difficult read for some, the care in discussing death and dying, family, friendships, and survivors’
guilt results in a touching story that is a delight to cry through.” — Association of Jewish Libraries
“A sincere story about hope, healing, and a blooming friendship amid grief.” — ALA_Booklist
THE SUN WILL COME OUT Notable Review Excerpts:
The story gives voice to the experience of Jewish preteens; chronic illness and disability are also sensitively tackled in this complex tale about difference, acceptance, and self-confidence. A heartfelt tear-jerker about love, friendship, and courage.
A story very much on target for its pre-teen audience, especially its pre-teen Jewish audience. Recommended.
School Library Journal
Books about gaining independence at summer camp are a crowded field, but there is plenty of room for this sweet, fresh take.
FISH OUT OF WATER Notable Review Excerpts:
Jewish Book Council
Fish Out of Water is a highly recommended story in “hi-lo” reading format, promising high-interest at a low-reading-level. This story fits the designation well. Fishel’s story zips along and the vocabulary and length make it accessible even for reluctant readers. Levy has created a sympathetic character in Fishel and readers will support him throughout his struggle to pursue his own interests and rise beyond labeling.
Fish is assertive and brave, outspoken in his critique of rigid gender norms. Readers will rejoice as he stands up to other boys and to his stepfather, contesting Darren’s shallow exhortation that “boys don’t cry” with tearful truth. He is a formidable ally to girls and women. Though brief, this text masterfully connects the toxic masculinity to its roots in deep misogyny, making Fish a hero people of all genders can stand up and cheer for.
All readers will appreciate this book’s nuanced messaging around gender roles and trusting yourself.
The plot of Fish Out of Water is fast-paced, and the ending is both satisfying and heartwarming. The characters are believable. The story is told in first person from Fish’s point of view. The novel has 14 chapters plus an epilogue which happens six months later. Fish Out of Water would be an excellent read-aloud choice, and its contents would provide many opportunities for discussion about the topic of gender roles.
DOUBLE TROUBLE Notable Reviews:
Tori, who is 12, is missing her best friend, Anna, who has recently moved to another town. When Tori’s neighbours, the Patels, have their granddaughter, Jazzy, visiting with them for two weeks before she moves to Australia, Tori sees the opportunity for a new best friend. However, it gets complicated when Jazzy sees Tori dressed up and coming from the synagogue with her dad and grandmother, Bubby, and then doesn’t recognize Tori when she sees her later in her gardening clothes. Tori wants to impress Jazzy with her fashion sense, and so she makes up her fictitious twin sister, Vicky.
Tori and the fictitious Vicky are totally opposite. Tori doesn’t know how to tell the truth and avoid the complications. Her dad and Bubby think Tori is acting strangely because she is missing her mother who died when Tori was very young. Tori is just trying to be the friend that she thinks Jazzy wants. Tori doesn’t realize that Jazzy has discovered her secret and is trying to make the opportunity for Tori to come clean.
The characters are believable, and the dialogue is extensive and realistic. The limited number of characters would help younger readers, and the plot moves quickly into various situations suitable for the intended audience. Each of the 17 chapters ends at a high point which would make this an excellent read-aloud choice. Double Trouble is an excellent choice for readers who like stories about friendship and realistic situations, and the book would be a most worthy addition to any collection.
TARA TAKES THE STAGE Notable Reviews:
In this cute Choose-Your-Own-Adventure–style book, readers get to guide the path of Tara Singh, a young actress who hopes to be on Broadway someday. She’s also obsessed with Bollywood, and she helps her family out at their Indian sweets shop. Besides the usual middle-school preoccupations with potential romance, Tara (or in this case, the reader) has to decide between attending auditions for a local community theater production of The Wizard of Oz with a dreamy boy in drama club or helping her parents prepare to impress a Bollywood actress for her wedding. There’s another cute boy in that situation, natch. This book nicely satisfies the what-if itch and is also ideal for those who like alternate endings and aren’t married to a single interpretation of a story. Readers who dig it will rejoice to know that Tara’s best friend Yael stars in Yael and the Party of the Year, released simultaneously.
— Kristina Pino
CRUSHING IT Notable Reviews:
Kat, a down-to-earth seventh-grader, self-conscious of her braces-and-eyeglasses appearance, gets roped into playing Cyrano de Bergerac for her gorgeous, popular cousin, Olivia, and her best friend and soul mate, Tyler.
Just one of Kat’s problems is her growing realization that she now likes Tyler in a new way and that it hurts to deliberately push him toward a relationship with Olivia—even though she wants her cousin to be happy. Further complicating matters is the problem that somewhat shallow Olivia has nothing at all in common with Tyler; she finds him “seriously cute” and wants him to ask her to the upcoming Fall Ball, but she neither understands him nor even tries to learn to. All of this has been done before, but Kat’s narrative voice is fresh and mostly convincing (although it’s hard to fully believe that she is suddenly shy and rather sneaky around a boy she knows and likes so very well). The racial identity of the main players isn’t mentioned beyond Olivia’s blue-eyed blondeness, but cover art depicts them as white. A few moments of excruciating embarrassment ring very true: Kat’s mom tries to teach her and Tyler how to dance, and later, Tyler catches Kat under the bleachers feeding lines to Olivia. Ouch.
An undemanding, entertaining, and engaging romp with a predictable happy ending.
SMALL MEDIUM AT LARGE Notable Reviews:
School Library Journal
As if seventh grade weren’t hard enough, 12-year-old Lilah suddenly finds herself able to communicate with the dead when she is struck by lightning at her mother’s wedding reception. Accompanied by the ghost of her grandmother and a slew of other mismatched spirits, Lilah navigates the craziness of middle school, helping a number of people, both living and dead, along the way. Her real success, though, lies in what she discovers about herself as she overcomes her shyness at talking to her crush. Levy has created a fun, witty account of middle-school life while effectively capturing its preteen angst. Lilah is a refreshingly strong character who embraces her own individuality while sticking up for herself and others. Though some of the book’s elements are predictable and many of the conflicts are resolved too neatly, readers will be drawn in by the quirky characters and the outlandish story line, making it a purchase that definitely won’t sit on shelves. A very strong debut novel. —School Library Journal (October 2012)
After being hit by lightning at her mother's wedding, 12-year-old Lilah Bloom develops a new talent: she can hear dead people. Among them is her highly opinionated Bubby Dora, (her father's mother) a prissy fashion designer, a mischievous, attention-seeking boy, and an approval-seeking clown who livens up a séance. With Bubby Dora leading the way, these and other ghosts haunt Lilah through seventh grade and help her face her biggest fear- talking to- and possibly going to the school dance with her crush, Andrew Finkel.
In her debut novel, Joanne Levy has created a fun and tremendously entertaining story about trying to survive seventh grade. Lilah is a typical 12-year-old, with typical 12-year-old worries. She's pretty but not gorgeous, smart, but not a genius, and she has a small circle of friends, but is not the most popular girl in school. Like many 12-year-olds, she also is experiencing her first major crush, but so far, hasn't quite been able to find the courage to act on it.
Small Medium at Large is told in first person, and Lilah's voice feels completely authentic. Her narration is straightforward, honest, and witty, and she comes across as compassionate, intelligent, and likeable. She worries about her dad, who, as she describes, has done nothing to "get back out there" since the divorce, makes plans with her best friend Alex to form a band, (even though they have no instruments and can barely play) and has the usual worries about boys, bras, and bullies. When she develops the ability to hear ghosts, she takes it completely in stride and handles it gracefully and calmly.
While the ghosts add a supernatural element to the story, Small Medium at Large is not a ghost story. It is a realistic, coming-of-age story, and the ghosts act as guides who help Lilah navigate tricky situations. It is also a strength of the novel that the ghosts each have distinct personalities, and each of them has a purpose. The primary ghost, Bubby Dora, is an amalgamation of the author's great-grandmother and mother, and she provides Lilah with a much-needed female influence. With Bubby acting as both a friend and a guide, the interactions between Lilah and her Bubby are sweetly and comically written, and readers will enjoy the close bond between them. Through her interactions with the ghosts, Lilah learns about showing compassion, following dreams, handling bullies, and most importantly, she learns what she's capable of.
The novel is tightly-written and fast-paced, the dialogue is clever and funny, and the story flows well. While there are some discussions of kissing and dating, there is nothing in it to make it inappropriate for a fifth-or sixth grade girl, and Small Medium at Large is a perfect read for every girl who is struggling or has ever struggled to fit in. Highly Recommended. Rachel Steen (September 21 issue)
A lively preteen develops the “superpsychic” ability to converse with the dead, complicating her seventh-grade life in this lighthearted debut.
When 12-year-old Lilah’s struck by lightning at her mother’s wedding, she wakes up hearing her deceased grandmother Dora talking to her. Lilah’s afraid she’s going crazy until Dora explains, “[w]hen the lightning hit you, it was like someone switched on a radio and I was tuned into your channel.” Soon, Lilah’s channeling lots of dead people like Serena, her music teacher’s sweetheart; Priscilla, a famous fashion designer; and Marion, the cafeteria lunch lady for 49 years. Overwhelmed with advice and requests from talking ghosts who are simultaneously irritating and invasive, Lilah confesses her psychic power to her best friend, Alex, who thinks she should earn money doing readings. But when Lilah tries to give a message to her crush, Andrew, from his deceased father, things go terribly wrong. Gradually, Lilah learns how to convert her psychic pals into allies and channel her powers positively, turning a disastrous school fundraiser into a success, winning Andrew’s trust and admiration, and helping her father find romance. In a fresh, frank and funny first-person voice, Lilah tells of her ghostly encounters from the perspective of a normal Jewish girl coping with abnormal powers.
Droll middle school drama. (Fantasy. 8-12) (reviewed on May 15, 2012)
Quill & Quire:
Lilah Bloom is just your average seventh-grader: she likes shopping, groans about math tests, plays the drums, and can’t wait to finally turn 13. Her biggest problem in life is worrying about how lonely her divorced dad seems. When her mother remarries, Lilah gets to be a bridesmaid. The day is perfect until storm clouds roll in. Lilah is standing just under the canopy when lightning strikes and suddenly everything goes black.
When she wakes up, Lilah finds herself in a hospital bed with her mother and father standing by. But they’re not the only ones in the room. Lilah has barely recovered from the news that she was hit by lightning when she hears a familiar voice: Bubby Dora, her paternal grandmother. What’s so surprising about that? Bubby is a ghost.
Lilah quickly discovers that she can hear the voices of all kinds of dead people. Some, like Bubby, are people she knew, while others come to her in the hopes of connecting with loved ones they’ve left behind in the world of the living. Lilah learns to use her new talent to help those around her, including her lonely father and her very own crush, a boy named Andrew Finkel.
First-time author Joanne Levy does a great job capturing Lilah’s self-deprecating humour and persistent optimism. Dialogue cuts seamlessly between the living people in Lilah’s life and the ghosts who have started following her around. This could have been confusing, but Levy succeeds in creating high-energy scenes that are funny and engaging. The seventh-grade angst and vocabulary are spot-on, without relying too heavily on pop culture references and Internet-speak. The narrative – focused on the challenges of growing up – offers a gentle reminder that even almost-13-year-olds can use a little grandmotherly advice from time to time. Reviewed by Elisabeth de Mariaffi (from the July 2012 issue)
In Levy’s debut novel, Lilah Bloom gets one chapter as an ordinary seventh-grader before she is struck by lightning following her mother’s wedding reception. She then starts hearing the voices of dead people. It’s a somewhat disturbing realization that the deceased are lurking everywhere, unseen and able to enact both mischief and benevolent deeds, but Levy employs this premise not for chills but for middle-grade comedy and gentle pathos instead. Lilah has lived mostly with her dad since her parents’ divorce, and her first order of business—at the direction of her dead grandmother—is to help find her father a new love. Lilah uses her power as a medium for good, resisting an attempt to profit financially from it, and Levy rewards her narrator-protagonist with the happiest (if predictable) of endings: she ends up with the boy she likes, a pleased dad, and the hot band of the moment dedicating a song to her.— Abby Nolan
Bulletin of the Center for Children's Books:
After being struck by lightning at her mother's wedding, twelve-year-old Lilah wakes up in the hospital hearing her grandmother's voice—a comforting thing, if only Bubby hadn't passed away four years previously. Bubby Dora helpfully explains that Lilah is not, in fact, going crazy, but that Lilah's brush with death has left her with the ability to hear ghosts. The seventh-grader takes the news in stride, as does her friend Alex, in whom she confides. The two decide to put Lilah's skills to good use, utilizing her knowledge from the beyond to set her unhappily single father on a few dates, put on an amazing fashion show at school, and secure dates for the two of them to the upcoming dance. Of all the fictional girls lately gifted with communicating with the dead, Lilah is by far the most charming, accepting the onset of her talent with a refreshingly angst-free enthusiasm and addressing her new ghostly friends with as much frankness and sassy wit as she does her corporeal pals. It helps that the spirits with whom Lilah is dealing tend to be more benevolent than the average restless dead, and their issues are usually easily solved by Lilah's communicating a simple message of encouragement or hope to a loved one left behind. The inclusion of such middle-school milestones as first dance, first kiss, etc., and Lilah's pitch-perfect tween narration make this good-natured dramedy an easy sell to pre-adolescents, particularly those who have found the ghost story genre to be a bit too grave (ha) for their liking. - Kate Quealy-Gainer - Volume 66, Number 1, September 2012